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Welcome to the Almanac.

It has always been my goal to help guests and friends of Plate & Pitchfork make informed buying decisions.  And when I started this business ten years ago that seemed like a pretty simple task to accomplish. Boy was I ever wrong. The more I learned the more my brain hurt. And on more than one occasion I would find myself in a grocery store so overwhelmed that I would abandon my cart & go home empty handed.  Now a decade later I am often still boggled, but I have enough knowledge & confidence to ask the right questions.  The Plate & Pitchfork Almanac is our attempt at providing you with some of the knowledge and insight we’ve gathered thus far, and motivation for us to dig deeper and learn more.  

Three incredibly talented writers have joined the P&P team to make all of this possible — Kelly Clarke, Ali Jepson and Lindsay Strannigan.  You may recognize their names, and if you don’t I’m quite sure that soon enough they’ll become the people you turn to first when you’ve got a question about farming, food or the fabulous people that are apart of our local culinary community.   

I look forward to growing this publication based on your feedback so please drop a line.
Thank you for support & commitment to eating good food!

~ Erika Polmar

 

The Inaugural Issue of the Plate & Pitchfork Almanac Table of Contents:

Meet Scott Ketterman of Crown Paella

Emily and Scott Ketterman with their son Luke. Photo by Ali Jepson.

Emily and Scott Ketterman with their son Luke. Photo by Ali Jepson.

You already know Scott Ketterman; you just haven’t met his giant paella yet. The talented chef has been a familiar face around town, heading up the kitchen at Portland dining hall Simpatica for four years (and cooking everywhere from Paley’s Place to working behind the counter at Viande Meats before that). Now, he and his wife Emily are bringing Spain to Portland with their new venture Crown Paella, which debuted late last fall. The new event company marries Spanish flavors with locally sourced veggies and meats by cooking up massive, celebration-sized portions of its namesake dish as well as serving an array of tapas–from tortilla Espanola to stuffed mussels and lamb brochetas. It’s the next natural step for the globe-trotting chef. Scott spent a great deal of time eating, drinking and cooking his way through Spain—including a pit stop at Mugaritz–before heading to Portland. The chef teams up with chocolate master David Briggs to introduce eaters to the science behind savory and sweet for Plate & Pitchfork’s very first ForkLift event on Sunday, February 12. Before that, he stepped away from his kitchen for a second to answer a handful of P&P Almanac’s “get to know your chef” queries.

What is your greatest extravagance? 
Caviar and champagne every Christmas Eve.

What is your greatest fear?
Not living life to its fullest.

Which living person do you most admire?
My wife Emily.

What is your favorite tool?
My Suisin knife… It has a great patina from years of use.

What would you eat for your last supper?
A perfectly roasted chicken.

What do you most value in your friends?
[Being] loyal, straightforward and irreverent.

What is it that you most dislike?
Imbalance of work and play.

What is your idea of perfect happiness?
Family + beach.

What is your motto?
No motto, I simply try to do right.

Scott Ketterman and David Briggs cook and talk shop at P&P’s first ForkLift event at Milwaukie Kitchen & Wine, 10610 SE Main St., Milwaukie, 653-3228. Event takes place 5 pm Sunday, Feb. 12. $50 per person includes three courses with wine (additional wine available for purchase).Visit forkliftpdx.com for details and reservations. Find out more about Crown Paella at crownpaella.com.

TABLE TALK: Eating Local, Eating Global

P&P Note: One of my favorite parts of a Plate & Pitchfork dinner has nothing to do with what is on the plates. After a glass of local wine or three it’s the far-flung conversations and debates that I get in to with my tablemates, who also always seem to end up being some of the most fascinating people I have met all summer (this could be the wine talking). In an effort to keep those conversations going all year round, we’re plucking some of the topics diners often chat—or even argue—about during dinner and will explore them in the Almanac.

Just think about the phrase “eat local” for a second. Those two little words are ubiquitous at this point, uttered by everyone from chefs and marketing executives to the First Lady of the United States, precocious kindergarteners and Occupy Portland demonstrators. But what, exactly, does that phrase mean to you? Only eating organic vegetables grown in the Pacific Northwest? Banning bananas from your kitchen? Pulling a Colin the Chicken at the bistro down the street from your house? And why is it important to make an effort to support the local food chain (aside from the fact that it gives people an excuse to throw fabulous dinners on farms). We asked three Portlanders who–by virtue of their jobs or passions–think about these things a fair bit, to give us their honest assessment of why and how we can eat local…and when we shouldn’t even bother.

As the executive director of Growing Gardens, Debra Lippoldt and her staff help Portland-area low income families to obtain the tools and skills they need to create their own vegetable gardens near their own doorsteps. “I think what’s important to me is how the [food producer] interacts with the local economy. If it’s a local food business that shares my values but that may not get everything locally I would choose to support them,” says Lippoldt, who has a background in health and nutrition. “Like Truitt Brothers, I’m sure not all the beans they sell are Oregon beans. That doesn’t matter so much to me, or that they are organic, but rather that I have the ability to ask questions and know more about the product. Do I have the opportunity to know what I’m eating?”

As might be expected from somebody with her job description, she sees as much social and health value in growing your own food as buying it: “When somebody is trying to grow food it creates a real social system. You’re outside. You’re getting more exercise, eating more fruits and vegetables… Seeing people in your neighborhood,” she explains, excitedly. “And then kids know where foods come from. They’re more willing to try something different if they had a hand in growing it.”

She says that when it comes to eating locally she does what she can on a “small scale.” “What I try to do is stay connected through my CSA membership and pay attention to the origin of food that I buy in the grocery store. When I have the chance to purchase from Washington and Oregon I will. I usually go to Food Front for a lot of fruit and vegetables because they seem to have more local producers for longer in the season,” she says. As for her own garden? Don’t expect her to be harvesting a feast from it right now. “The only thing that’s viable is kale,” she laughs.

In some ways, Ben Johnson considers farmers from Argentina to New Zealand his local team. As the founder of Portland’s Bridges Produce, the Kentucky native imports organic produce from across the globe, working with growers that “value and respect farm workers and are trying to do the right thing,” he says.

“Produce is something that everyone should be eating a lot more of (relative to animals), wherever it is from,” he says. “Each person weighs which factor matters most to them: Is it environmental? Is it health? Economic, social? People get very religious in their adherence to the piece they grasp on to.” He says the “fervor” around the “eat local” topic pretty much baffles him: “Certainly, there’s a lot of great reasons to eat locally. At the same time, I love avocados and I don’t think they are that bad to truck in relative to other things that are trucked in–be it Italian marble for your kitchen or gasoline from Saudi Arabia. I should feel worse getting on an airplane than eating an avocado.”

In some ways, he says the “eat local” movement is as much a triumph of marketing as it is sustainability. “It’s not all great,” he laughs. “I’ve bought apples at the farmers market and I’ve tasted them and been, ‘Ugh, those are terrible!’ But you got to meet the grower and talk about [their products] in an environment where it’s an event. “‘Eat local’ is a way for small producers and growers to have a niche and to open up an avenue for their products,” he says, admiringly. “For example, if you want to be an apple grower it’s very difficult to compete with giant apple packing companies or to try and get your products into Walmart and Safeway. So, they find other avenues like farmers markets and CSAs.”

He sees eating local as a way to preserve culture. “Being local forces seasonality and an appreciation for local color and flavor. That has been lost a bit with the commoditization of everything. The best oyster I ever ate was at a dock up in Samish Bay [in Washington]. It wasn’t because the oyster was so great but because I was part of the environment in a way that you wouldn’t get if you were in a restaurant,” he says. “We need to cherish and remember [our own regional foods] so we’re not all eating at the Olive Garden…which is the regional color of strip malls of America.”

Andrew Grasso's 100 Miles PDX food cart.

Andrew Grasso's 100 Miles PDX food cart.

Andrew Grasso, a 28-year old art and social sciences student at Portland State University, sees eating local as a serious experiment. To that end, last summer he created 100 Miles PDX, a food cart parked on Northeast Alberta Street devoted to sourcing 99 percent of its goods from local farmers. “Certain household staples, such as tea, coffee, rice, and sugar travel halfway across the world to make it way to your table. Why go through such a painstaking, environmentally taxing process, when we don’t have to?” he says. “Everything we need is in our own backyards.”

Well, not quite. “Black pepper, mustard, sugar, and vinegar we couldn’t find. We had to use honey for all sweetening and we made our own vinegar from apple cider,” he says. “No local apple cider vinegar! No clue why, cause there’s so much cider up in the Northwest. Oil was really tricky too. We eventually found some, camelina oil, a relative of canola.”

He says that, for the most part, he considers the cart a success even though it may not reopen (it’s closed for the winter while he travels abroad). “Just being able to show that it can be done was a big thing. Most of the food came from within 50 miles, but the grains for the bread traveled the most, coming from Eastern, Washington and Oregon,” he says. “I think we as Americans and Westerners are pretty damn spoiled and many of us self-centered, and would rather live in luxury and have what we want when we want it, than make sacrifices [to eat local] for other reasons, like the environment.”

That said, he’s not sticking to a strict 100 mile limit himself anytime soon. ”It’s surprisingly expensive to do. But I do feel that it would make traveling that much more exciting, if we couldn’t find so many of the same things all around the country or world.”

In the end, even Plate & Pitchfork co-founder Erika Polmar has had to find a balance between homegrown ethics and the hard realities of a grumbling stomach. “For 10 years Plate & Pitchfork been saying, ‘Know your farmer, know your food.’ And that certainly means that we’re asking you to eat products that are grown, caught and raised close to home,” she explains. “But…I won’t give up chocolate or bananas.”

In that case, please pass the kale, my friend. And the mangoes.

Cheats & Fakes: Baking Bread on a Cold Winter Day

Bread Oven LightNote: The P&P Almanac knows that our readers are busy people. So we’ve been compiling random bits of helpful information designed to help you cheat and fake your way through everyday kitchen tasks and make life a bit more delicious.

If you reside in the Pacific Northwest and have ever attempted to bake bread at home, you’ve probably wrestled with the issue of baking in the winter months. Let me rephrase: you’ve agonized over how the hell to get bread dough to rise in your freezing cold house (without paying an arm and a leg for your heating bill).

Really, I blame Mother Nature and her sick sense of humor. It’s her fault that the time of year that I want to bake (and devour) fresh bread is precisely the time of year when the weather makes it the most difficult to bake it. This contradiction frustrates me to no end. My usual method of baking bread in the winter looks something like this: I turn my thermostat up to 80 degrees and set the bowl of bread dough directly next to a heating vent. I constantly check to make sure the dough is rising, and adjust the heat if necessary. I stand guard over the dough, to ensure that my cat doesn’t eat it. By the time the dough is finally ready to bake, my house is sweltering and my stomach is growling. Later, I cry over my heating bill. It’s an imperfect system.

A while back, I was bemoaning these winter bread woes to Brian Spangler, the maestro behind Portland’s lauded Apizza Scholls. He told me how to solve my problem. He told me to simply place my bread dough in the oven, turn on the oven light, close the oven door, and walk away. (Note: Not the actual oven. Just the light.) That’s it. The light generates a small amount of heat in the enclosed oven space, just enough to allow the bread dough to rise properly, even on a chilly winter day.

And just like that, my winter bread-baking routine was changed forever: The oven light!

It’s so simple, I’ve been smacking my forehead ever since and wondering why I didn’t think of it myself. Thanks to Brian, I can now happily bake bread all winter long.

What to Eat, What to Plant: January, 2012

chioggiaIt’s January, which isn’t exactly peak produce season in the Northwest. The good news is that there are some seasonal gems to be had at this time of year (i.e. black truffles!). For your convenience, we’ve compiled a short list of what to eat and what to plant for January, 2012. For further inspiration, we’ve even included a seasonal recipe that we think you’ll like.

What To Plant:  Realistically, there isn’t a lot you can plant at the moment, especially if you live in the Pacific Northwest. But if you start seeds indoors, you can go ahead and plant radishes, carrots, kale, lettuce, and spinach. (This is also a great time of year to order/buy seeds and map out your spring and summer garden.)

What To Eat:  Chard, kale, potatoes, onions, carrots, parsnips, turnips, beets, garlic, squash, pumpkin, apples, pears, black truffles.

Make This Now: Wintery Grilled Cheese with Goat Cheese, Wilted Chard, Roasted Beets, Caramelized Onions and Horseradish. Inspired by a meal I had at Bunk Bar recently, this grilled cheese takes all the best things about winter and combines them in to one special  sandwich. The creamy goat cheese melds perfectly with the earthy winter vegetables, and the horseradish gives the sandwich just the right amount of punch.

If this is what winter tastes like, then I hope that winter lasts forever.

Want the recipe? Visit Rosemarried.com

Behind the Scenes

  1. Champoeg Farm in St. Paul, Oregon
  2. Outdoor dining room full of Plate & Pitchfork guests
  3. Farm flower arrangements by Catherine Anderson
  4. Chef Justin Woodward, Castagna Restaraunt
  5. Chef Adam Sappington, Country Cat Dinnerhouse and Bar
  6. Jackie Sappington, Adam’s wife and Biscuit Baker Extraordinaire
  7. Erika Polmar, Plate & Pitchfork’s founder and fearless leader
  8. Heinrich, Champoeg Farm’s resident weimaraner
  9. Dirty stemware
  10. Compost bin
  11. Widmer Brothers Seasonal Brew
  12. Extra potable water, brought in by gator
  13. Pop-up tent, essential for instant shade during hot summer months
  14. Coolers full of ice and wine
  15. Extra rental chairs

It was a hot day in August. Dinner guests dazzled in funky coke-bottle sunglasses and cowboy boots, parading jeweled-toned parasols around in the sun. People say you can fry an egg on days like these, and some people, like Chef Adam Sappington from southeast Portland’s Country Cat restaurant mark the occasion by roasting an entire Berkshire pig as part of a five course Plate & Pitchfork dinner. As the sun set Adam’s wife Jackie hand whipped cream into voluptuous peaks for summer berry shortcakes, made with her famous biscuits. The pig was raised on the rolling pastures of Champoeg Farm, the place Mark and Catherine Anderson and their two little girls call home. Creating a mobile kitchen and dining room out in the middle of a field isn’t easy. Plate & Pitchfork celebrates the collaboration between a noble farmers and top-notch chefs, and is made possible thanks to a dedicated team of people working behind the scenes.